Rebecca Pyle's last art studio was between two vast historic train depots, the Union Pacific and the Rio Grande, in Salt Lake City; her paintings are also in New England Review, Watershed Review, and on the covers of Oxford Magazine, Raven Chronicles Journal and The Underwater American Songbook (a chapbook of her poetry, published by art/lit journal Underwater New York, 2018). She has new poetry soon to be in the new Die Leere Mitte (Berlin).
Rebecca Pyle’s last art studio was between two vast historic train depots, the Union Pacific and the Rio Grande, in Salt Lake City. Her paintings appear in the New England Review, Watershed Review, and on the covers of Oxford Magazine, Raven Chronicles Journal and The Underwater American Songbook (a chapbook of her poetry, published by…
